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Inadequacy Concepts like art and life have to be mixed with each other since there is no reason for maintaining a separation between human activity and the human. Life is art (creative energy sexual), who said that? The most interesting art is that which talks about life, which unravels different experiences, recollects specifics, questions, and viewpoints.

In the realm of life, it is necessary to disbelieve the notion of a perfection to be attained (in response to this kind of expectation The only art we could refer to is that of the film industry). Error is the hallmark of being Human The stumbling block into which we have all fallen at one time or another: the faulty judgement, impulsiveness, fear and anger, the constant need for control and https://chappell-robb.federatedjournals.com/how-to-make-your-lucio-fontana-look-like-a-million-bucks security bad choices. Don't tell me you have not made one of these mistakes?

Open: new perspective to view the world from If we fall, we hurt ourselves more or less intensely and are inclined to judge that fall, to consider the mistake a fault because of the expectations we set of ourselves and others. The wound is actually the point from which we discover the truth. From there, we can no longer rely on the idea of perfect (which should be the case if it should not hurt) and examine what's damaged: we examine it and look at ourselves.

Fontana cut her hair with the consciousness the possibility of opening up, breaking or or tearing since destruction is often the most artistic act, particularly in a society in which, even from a young time, we are ensconced in a strong, impregnating systems of values and beliefs. It's not a coincidence that Fontana stated in 1963 in the course of an interview Nerio Minuzzo:

„The people who criticize me have often been a slam on me, but I have never thought about it. I just went with it and I didn't take the salute of anyone. In the past, they called me 'the one who has holes' with a bit of pity. But today I see that my cuts and holes have been a hit that is accepted, and they even have practical uses. In theatres and bars, they create ceilings using holes. Since today, as you can see, even the people in the street can comprehend the new designs. The artists are the ones, unfortunately, who understand less '.

When Fontana refers to streetspeople, he evokes the imagery of imperfection, where the hole is a shape similar to any other, where the transformation of life is manifested. Fontana isn't afraid of dust nor the violence of his creative work: he throws tar on an artifact made of plaster of a man , and names the sculpture „Black Man“.

The cut is transformed into the conquest of space, in the form of an overthrow of painting and sculpture, through a new spatiality which combines them: the break with verticality, in favor of an open passageway.

The inhalation and exhaling from the canvas, is , from afar, reminiscent in a more philosophical and bourgeois version, of the work that Gina Pane would later do on her skin. The gesture remains the eternal protagonist in that context where art is destined to be destroyed; the wound and the cut represent the path, boundary and exchange. The artist herself opens the canvas in two and declares it to be finite. the holes are transformed into black holes, which give depth and make us perceive the infinite , which we'll never be able to comprehend.

Wait: new things we haven't discovered yet Fontana called the cuts 'Waits', the openings from which new and new things are born that we don't are aware of.

If we make an error, or hurt or injure the other, we have a waiting period before we react. It starts with the shock of the error and the failure to be overcome, after that, finding out the best path to take to compensate or to get it out of the way; then we wait for the consequences of that fracture, that mistake, which could turn out to be a innovative and valuable resource. But it's not.

Many people do not understand (and understand) this philosophy because they are constantly assessing the way that human beings and reality should be, too used to the two-dimensionality of the canvas. We fight with all of our might the best methods, the correct way to appear and be in society, so much that we turn to norms that ultimately define the concept of normativity.

It's impossible to find anything more confusing. We are convinced that we know everything, we apply our yardstick to all other living organisms and ecosystem in the world, but in reality we see it from a narrow , biased perspective that is not in line with reality. Anthropocentrism and personal interpretations of the other that are almost never the right ones.

Accept: no perfection in the absolute sense. The same is true of this society that wants us to be better at all cost, but without considering that, instead of improving standards, we could become more accepting of things just as it is. Do we accept pain? Do we accept death? Accept bodies? Do we accept diversity? The most important thing is, after accepting, do we respect our differences?

Very often no is it that we are able to hide the things that do not match the „perfect“ nature of our very own planet or universe. It makes us feel angry, shocked, and disgusted and swept under the carpet, and so we manifest our imperfections, which we are in reality, yet we refuse to accept it.

Being aware of one's limits is crucial, as is realising the interconnectedness of all that is the world system: either we are ALL put in a position to give our best, or there's no competition or effort worthwhile with the sole motive of increasing inequalities. It's great and good that some with a lot of effort have achieved it, as have those who have been so fortunate. However, when you look at it in the larger sense, constantly stretching the boundaries just a bit further, it will be 'a perfection' in an imperfect setting; there is no „perfection“ in an absolute sense.

Could this ever exist?

Cut and let the truth be revealed We can conclude that Fontana attempted to do so, since from the very beginning he rejected the easy ways to be successful, opting instead to explore the unknown and the uncertain, that means he decided to leave the pretense of being the only one, he followed the path of research that led him to uncover certain facts.

In my personal perspective, Fontana is the one who cuts the veil and lets the light in, even though he put obscuring black sails in the background. An artist of spatial art and one of the early pioneers of the art that is understood not solely as a work, but also as a gesture a gesture, around and in the context of actions in space, and performance as the activation of a narrative, and this is the way it is being done today.

To me, his cuts reveal all of this, opening up new perspectives to art and new perspectives on the world , and new questions. The wound for this, is more than pain: the wound is a symbol of the fragility, mortality, and fragility. A wound can make us think, makes us question how we can improve our lives, and this practice is essential to stay in the right place. As hard as it is to suffer and as much as it is in a perfect tale of existence it would be wonderful (and appropriate) to learn only through positive reinforcements, as long as we as a society are unable to avoid the suffering of others as well than our own, we are condemned to the unresolved and unfulfilled reality.

So let us enjoy the cinema and its happy endings its beauty and perfection that is taken for granted and which we mistakenly end up taking as a model of life since the visual arts, however are the children of suffering, and any artist, in order to convey a bit of truth, must pass through the wound.