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Inadequacy Concepts such as art and life should be mixed with each other since there is no reason for maintaining a separation between human activity and the human itself. Life is art (creative energy sexual) Who said that? This is the reason why the most fascinating art is one which talks about life, traysearch7.bravejournal.net which unravels different experiences, recounts the details, curiosity, and viewpoints.

In the world, it is imperative to reject the idea of a perfectionism to be achieved (in order to respond to expectations of this sort The only art that we can think of is that of the film industry). Failure is the hallmark of being Human The stumbling block upon which we've every one of us at one point or another: the faulty judgement, haste, fear, anger, the incessant desire for safety and control and making the wrong decisions. Do you think you've not made any of these errors?

Open: new perspective to view the world from When we fall, we injure ourselves more or less and tend to look at the fall as a mistake, or to make the error as a result due to the expectation we set of ourselves and other people. The injury is the actual point from which we discover the truth. From there, we are no longer in the idea of perfect (which if it were such shouldn't be hurting) and look at what is broken: we look through it and look at ourselves.

Fontana cut with the awareness the possibility of opening up, breaking or or tearing as destruction is often the strongest creative action, and particularly in a world where, from an early time, we are ensconced in a strong, impregnating system of beliefs and models. It's no accident that Fontana said in 1963 in an interview with Nerio Minuzzo:

„The critiques always criticized me, however, I never thought about it. I went ahead anyway and I didn't take anyone's salute. Over the years, I was called 'the one with the holes', with some pity even. Today, I realize that my cuts and holes have been a hit and are widely accepted. They even find practical applications. In bars and theaters, they create ceilings using holes. Since today, as you can see the public in the street can comprehend the new designs. It's the artists, unfortunately, who understand more '.

When Fontana speaks of the street, he evokes the idea of imperfection where the hole is a shape similar to any other, that the emergence of life is manifested. He's not scared of the dirt, nor the violence of his creative work He throws tar onto an artifact made of plaster of a human figure and calls it 'Black Man'.

The cut is transformed into the conquest of space, in the form of an overthrow of painting and sculpture, through a new spatiality that combines both an end to verticality in favour of the possibility of crossing.

The inhalation and exhaling from the canvas, is , from afar, reminiscent in a more philosophical and bourgeois sense of the work Gina Pane would later do on her skin: the gesture is nonetheless the immortal main character in this context, where art is destined to be destroyed; the wound and the cut represent the path, boundary and exchange. The artist herself opens the canvas by splitting it in two and declares it to be finite. the holes are transformed into black holes that give the illusion of depth and reveal the vastness that we never know.

Wait: we are discovering new things that we do not yet know Fontana named the cuts „Waits,“ openings that allow new and different things arise that we do not yet have a clue about.

When we commit an error, or hurt or injure the other injuring or hurting another, we need to wait for a period of time before we can react. The first reaction is the shock of the error and the failure to be overcome, and then figuring out what steps to take to compensate or to get it out of the way; then we wait for the effects of the fracture, that mistake, which could be a brand amazing and new resource. Or not.

A few people have understood (and are able to comprehend) this philosophy because they are constantly judging the way that human beings and reality are, in addition, affixed to the two-dimensionality that is the nature of canvas. We continue to defend with all our might the correct practices, the right way to present and function as a person in society, that we rely on standards that end up defining Normativity.

Nothing could be more incoherent. We are convinced that we know everything, we apply our yardstick to all other living organisms and ecosystem in the world however, in reality we are looking at it from a narrow and biased point of view that is not in line with reality: Anthropocentrism as well as personal interpretations of other theories that are almost never the correct ones.

Accept that there is no perfection in the absolute sense. This also applies to this society that wants us to be the best every chance they get, without considering that, instead of increasing standards, we need to become more accepting of what is, just in the present. Do we accept pain? Do we accept death? Accept bodies? Do we accept diversity? And, most importantly, once we accept, do you honor our diversity?

Very often no, we resort to invisibilising the things that do not match the 'perfection' of our very own planet or universe. We are shocked, angry, disgusted to be swept away, ignored, or swept under the carpet and we then show the very imperfection that we actually are, but we refuse to accept it.

Being aware of one's limits is essential, as is realising the interconnectedness of all that is the world system. Either we are ALL placed in a position to give our best or there is no competition or effort worthwhile with the sole purpose of fuelling inequalities. It's all very well and good that some after much effort have made it, like those who have been so lucky. However, in a larger sense, constantly stretching the boundaries of what is possible it's a perfection' in an imperfect setting; there is no „perfection“ in an absolute sense.

Does this even exist?

Cut: let the truth in We can say that Fontana was a tinkerer, as from the very beginning Fontana rejected the simple paths of success, preferring to experiment with the unknown and unpredictability, which is to say, he renounced the idea of being the only one that was successful, he pursued the path of study which led him to discover some facts.

In my very personal view, Fontana is the one who tears open the curtain and lets light in, even though the black sails are obscured in the background. A spatial artist and one of the forerunners of the art that is understood not just as a piece of work, but as a gesture, as a gesture, around, and in the context of actions on the space, as the expression of a narrative, and this is the way it is being done today.

To me, his cuts illuminate all this, opening up new perspectives for art and new perspectives about the world, as well as new questions. The wound for this, is more than just pain: the wound is a symbol of the fragility, mortality, and fragility. Wounding makes us question, makes us question the way we think, and this is essential to ensure that we remain grounded. While it can be difficult to suffer and as much as, in a perfect story of life it is ideal (and just) to learn by positive reinforcements. As long that we as a nation do not want to be a part of the suffering of others as well than our own, we are bound to remain in the unsolved and to live in an incomplete reality.

So let's enjoy the cinema and the happy endings it brings, its beauty that we take for granted and which we misunderstand and take as a model of life, because the visual arts, contrary to what they appear are the product of suffering. Every artist, in order to tell a piece of truth, has had to traverse the pain.