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Inadequacy Concepts like art and life should be mixed with each other because there is no point in not separating human activity and the human being itself. Art is life (creative energy - sexual), who said that? The most intriguing art is the one is about life, that unravels various experiences, recounts the details, curiosity, and points of view.

In life, it is necessary to disbelieve the notion of a perfectionism to be reached (in response to this kind of expectation, the only art that we can think of is the cinema). Failure is the hallmark of being Human, the stumbling block upon which we've all fallen at one time or another: impulsive judgment, haste or anger, the unending search for security and control and making the wrong decisions. Don't you dare say you've not made any of these mistakes?

Open: a new perspective to view the world from When we slip, we hurt ourselves more or less intensely and tend to look at that fall, to consider the error as a result of the expectations we have of ourselves and others. The injury is actually the point from which we are able to see the truth. From there, we stop taking refuge in the false notion of perfect (which if it were such should not hurt) and look at the things that are broken. We look at the wound and examine ourselves.

Fontana cut with the awareness the possibility of opening up, breaking or and tearing since destruction is often the strongest creative act, all the more so in a world where, from an early age, we are immersed in a strong, impregnating system of beliefs and models. It is no coincidence that Fontana stated in 1963 in an interview with Nerio Minuzzo:

„The people who criticize me have often been a slam on me, but I have never worried about it, I just went with it and I didn't take anyone's salute. Over the years, I was called „the guy that has the holes' with a bit of pity. Today, I realize that my cuts and holes have been a hit that is accepted, and they even have practical uses. In bars and theatres they have ceilings made of holes. Since today, as you can see that even people who walk by understand the new forms. It's the artists, unfortunately, who understand little '.

When Fontana talks about the street, he evokes the idea of imperfection in which the hole is a form similar to any other, that the emergence of life can be seen. He's not scared of dirt nor of the violence of creative expression and throws tar at an artifact made of plaster of a man , and names it „Black Man“.

Years later, the cut becomes the conquest of space, in the form of an overthrow of sculpture and painting through a new spatiality that contains them both: the break with verticality in favour of a crossing passage.

The palpitation that occurs, both inhaling and exhaling of the canvas can be seen from afar in a more cerebral and bourgeois way of the work Gina Pane would later perform on her skin. The gesture is nevertheless the eternal character in the context of art is bound to be destroyed. The cuts and wounds are the path, boundary and exchange. The artist breaks the canvas in two and declares it to be finite. the holes become black holes, which give the illusion of depth and reveal the infinite , which we'll never know.

We are waiting for new discoveries that we do not yet know Fontana named the cuts „Waits,“ which are the openings from which new and new things are born that we don't know.

When we commit mistakes, and hurt or injure the other, we have a waiting period before we react. First the shock of the error and the failure to over, then finding out the best steps to take to make up for it or get away with it Then we await the consequences of that break or error, which could turn out to be a new and great resource. But it's not.

Many people do not understand (and do not comprehend) this philosophy because they are constantly judging the way that human beings and reality should be, too used to the two-dimensionality on the wall. We continue to defend with all of our might the best methods, the correct method of presenting and being in society, so much that we rely on norms that ultimately define normativity.

There is nothing more absurd than this. We are convinced that we know everything, we apply our yardstick to every organism and ecosystem around the globe however, in reality we view it from a narrow , biased perspective which has nothing to do with the reality of Anthropocentrism, but also individual interpretations of the other that are almost never the right ones.

Accept that there is no absolute perfection. The same is true of our society, which demands to be the best at all cost, but without pondering the fact that maybe, instead of improving standards, we could accept more of things just as it is. Do we accept pain? Do we accept death? Accept body parts? Do we accept diversity? And, most importantly, once accepting, do we honor our diversity?

In most cases is it that we are able to hide those things that don't fit with the „perfect“ nature of our own little planet or the universe. It makes us feel angry, shocked, and disgusted to be swept away, ignored, or put under the rug, and so we manifest the very imperfection that we are in reality, yet refuse to accept.

Being aware of one's limits is important, as is realising the interconnectedness of everything that is the world system. Either we are ALL put in a position where we can give our best, or there is no reason to compete or exert effort to be put into it, unless for the goal of creating inequality. It's all very well and good that some after much effort have made it, as have those who have been lucky. However, in a larger sense, constantly stretching the boundaries of what is possible the definition of 'a perfection' in an imperfect setting; there is no „perfection“ in the absolute sense.

Can this be a reality?

Cut and let the truth be revealed We can conclude that Fontana was a tinkerer, as right from the beginning, Fontana resisted the straightforward paths of success, preferring to experiment with the unknown and unpredictability, which is to say: abandoning the pretense of being the only that was successful, he pursued the path of research that led him to unravel certain facts.

For me, and my personal perspective, soaprose6.jigsy.com Fontana is the one who cuts the veil and lets the light through, even if there are black sails that obscure behind the cuts. A spatial artist as well as one of the pioneers of this art, it is not understood solely as a work, but also as a gesture as a gesture, around, and in the context of actions on space, performance as the activation of a narrative, of which much is practised today.

To me, his cuts are a great example of this, opening up new perspectives on art and new perspectives on the world , and new questions. The wound that he has caused is not just pain, the wound reveals the fragility, mortality, and fragility. The wound makes us think as well as make us doubt the way we think, and this is essential to keep our feet in the right place. While it can be difficult to suffer and as much as it is in a perfect tale of existence it is ideal (and right) to gain knowledge only through positive reinforcements, as long we as a species are unable to avoid each other's suffering as much than our own, we are condemned to the unresolved and insanity.

So let's enjoy the cinema and its happy endings its perfection so taken for granted , and that we misunderstand and take as a model for life since the visual arts, however, are the daughters of suffering, and any artist, in order to speak the truth, has had to traverse the pain.